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Exhibition "pooploop"
Outline

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Director

Where is waste born, and where does it go? What happens to excrement after we flush the toilet? People seldom have regard for the next stage of things that are washed away, or tossed in the trash. As soon as an entity exits our body, though it was part of us until just moment before, we deem it dirty. How did such contemporary notions of waste and excrement become normalized? Was it a good idea to form social infrastructures based on notions of waste and excrement?

Until the end of Japan's Edo Period, in the mid-19 century, most things, not excluding excrement, were in continual circulation. Then modern government arrived, with compartmentalizing public administration and convenience-oriented capitalism. In such a society people were kept in ignorance of the truth of what was happening around them. Such changes took place long ago, but we all now realize the situation they have led us to, with rapid degradation of the global environment. 4.6 billion years of the earth's history have seen tremendous and repeated change, creating seemingly miraculous phenomena. Unraveling these processes through modern science and technology will provide clues to what humanity must now do, and the direction in which we should be going.

When I broached the subject of waste with Shinichi Takemura, who had worked with us on the previous 21_21 DESIGN SIGHT exhibitions "water" and "KOME, the Art of Rice," our conversation immediately turned into the issue of excrement. As a consequence, both the theme and title of this show appeared in tandem.

We are well-aware that circulation is a difficult theme to ponder. That is why we again sought Takemura's help. His positive input is being assisted by many participating creators. We still aren't sure what we will be able to achieve, but we feel we have to try. Environmental matters are so critical that they seem almost unavoidable matters for a design institution to consider. We remain concerned about how to turn such tricky issues into an interesting exhibition. That is yet another challenge imposed on us as we design this exhibition.

Taku Satoh

Taku Satoh

Taku Satoh

Graphic Designer, Director at 21_21 DESIGN SIGHT
Graduated Department of Design, Tokyo University of the Arts, 1979. Completed Master's Degree, Graduate School, same university, 1981. Design activity centers on poster graphics, commodity and facility branding, and corporate identity. Representative works include Lotte XYLITOL gum, Meiji Oishii Gyunyu. Also in charge of overall supervision for NHK Educational TV programs "Design Ah!" and "Design Ah! neo." Author of "Sosuru shiko" (plastic thought, Shinchosha), "Māku no Hon" (book of mark, Kinokuniya shoten), "Just Enough Design" (Chronicle Books). Chair, Japan Graphic Design Association Inc (JAGDA). Awards include Mainichi Design Prize, Minister of Education's Art Encouragement Prize, Medal with Purple Ribbon.

The history of our planet is the history of living things updating Earth's operating systems. 2.7 billion years ago, cyanobacteria caused a photosynthetic revolution, and the Earth's ecosystem, previously dependent on limited resources from the seabed, suddenly gained access to the inexhaustible energy of the sun. Humanity is now trying to graduate from a life dependent on the heritage of this photosynthetic revolution, through imitating the previous revolution with our immature use of solar panels. Yet can we update Earth's "circulation OS"?

Essentially, there is no such thing as either waste or excrement. In the wildness of nature, dead bodies or animal droppings become resources (food) for other life forms. Yet this perfect circulation was quite recently created through co-evolution of life and its supporting planet. For example, the oxygen indispensable to our respiration was once but the troublesome waste of cyanobacteria photosynthesis. The upgraded economy of life based on recycled oxygen, and oxidization of the atmosphere is the result of incessant "terraforming" by living creatures. Land plants transformed Earth into a green planet. At the beginning of this evolution, fallen trees piled up undissolved, but later became fossil fuel (hence we call it the Carboniferous Period). Then fungi evolved into agents of bio-decomposition. This circulation mechanism by which trees and vegetation turn into soil, was created by fungi in collaboration with various essential workers such as earthworms and termites. This is no more than the story of lifeforms rewriting Earth's OS. Now it is our turn to compose the next part of the story.

Humans are not the only, nor even the first creatures to influence Earth's operation. But we are the first with an awareness that allows us to direct future change.
We are now on a journey to rediscover the "intelligence" represented in the planet's biological systems. We now begin the partnership with the many entities in and around ourselves, besides upgrading our own industrial circular economy.

Earth's history shows that systemic shift occurs when waste - whether oxygen or trees - becomes excessive. Surpluses are reconfigured to enter into some brand-new circulation. Human history also suggests that when people are oppressed by climate change, a "revolution" will ensue, whether in agriculture, urbanism, or science.
Even the "ecology in Edo," famous for its pooploop in a city of one million people, was a creative adaptation to the environmental crisis and resource depletion after the dramatic economic growth in the early Edo-period. It is high time to work out something similar, now on a global scale.

We are the first generation to re-evaluate human civilization in the context of the co-evolution of life and the earth. The exhibition "pooploop" hopes to be a steppingstone toward the co-evolution of humanity and the Earth.

Shinichi Takemura

Shinichi Takemura

Shinichi Takemura

Prof. Shin-ichi Takemura, the inventor of digital globe "Tangible Earth," is a media producer known for his numerous cutting-edge IT-driven social activities, along with propounding his incisive views on global environmental issues as an anthropologist. Prof. Takemura is engaged in the development of social information platforms, or what he calls "social-ware," with the Earth Literacy Program, an NPO that he runs as a base for his activities. As a conceptual director, he was engaged in the exhibitions "water" (2007) and "KOME: The Art of Rice" exhibition (2014) at 21_21 DESIGN SIGHT. Since "3.11" great earthquake and tsunami event in Japan, he has been engaged in the relief/restoration project in Tohoku (north-east) area and in the scheme design for the future disaster risk reduction as a committee member of Reconstruction Design Council of the Japanese government (Prime Minister's office). Currently Prof. Takemura and ELP serve as a communication design consultancy for UNISDR (United Nation International Strategy for Disaster Risk Reduction) and produce a "tablet/ smart-phone" version of Tangible Earth called "GfT."